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In the movie “Wild At Heart,” Nicolas Cage (who, at one point was Presley’s son-in-law, as was Michael Jackson) sang two of Presley’s songs with amazing believability, but then again, so have thousands of Presley impersonators the world over for decades.īased on the press notes (and a video posted by Luhrmann on his Twitter page), Butler sings all of the pre-1970 Presley material and in scenes taking place during Presley’s resident performance years in Las Vegas, Luhrmann employs a mix of Butler and Presley’s vocals.

Pictures)Īlthough many have valiantly tried (including Kurt Russell and Val Kilmer), no one has ever quite looked or sounded more like Presley on screen than Butler. Austin Butler as Elvis Presley in “Elvis.” (Warner Bros. Known mostly for playing Manson Family member Tex Watson in Quentin Tarantino’s revisionist drama “Once Upon a Time in Hollywood,” Austin Butler delivers what is without a doubt the finest interpretation of Presley ever committed to film. Referenced to in over 400 movies and a major character in over a dozen more, Presley presents any actor attempting to portray him with a Herculean task, one that would cause most thespians to shrink like a spider on a hot stove. You can’t make a film such as this without rubbing someone the wrong way.Īs much of a cultural icon as he was a pioneer of modern popular music, Elvis Presley forever changed the landscape of entertainment and continues to command our attention nearly a half century after his death. No matter what he did or how he did it, Luhrmann had to know there would be plenty of people putting his movie under a highly scrutinizing microscope. With “ Elvis,” Luhrmann is likely to enjoy his greatest box office (and industry award) success, but it will come with a price something he was probably completely aware of going in. “Australia” (2008) was a major waste of time and his take on “The Great Gatsby” (2013) is considered by most to be the best interpretation of the (patently unfilmable) F. The 2001 jukebox musical “Moulin Rouge!” broke many barriers while polarizing critics and audiences alike. His debut (“Strictly Ballroom,” 1992) was an exhilarating homage to modern dance and its follow-up “Romeo + Juliet” (1996) turned Shakespeare on its ear in the best way. In his career, Australian writer/director Baz Luhrmann has tackled some weighty subject material while amassing as many admirers as detractors.
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